“Bueno, el dibujo no está expresado de la mejor manera, ya que visto a simple vista no se
entiende del todo, pero lo que yo he querido expresar a través de este, ha sido, el cómo vemos
la mayoría de personas que migramos a un país para mejorar nuestra vida, es decir, como una
mano que se extiende y te sujeta dándote ayuda, de aquí viene el “future & hope” y nosotros,
las personas que migramos, seríamos la mano que va a sujetarse. Con esto también lo que
he querido dar a entender, es que hay mucha gente que ve a una persona de afuera como
un “enemigo” o con malos ojos, yo no voy a negar que hay muchísima gente llega con malas
intenciones, con querer que le den todo sin esfuerzo alguno, pero, ese no es nuestro caso.
Gracias.” (Nahomi, 2020) Drawing done by Nahomi to participate directly in our project
entiende del todo, pero lo que yo he querido expresar a través de este, ha sido, el cómo vemos
la mayoría de personas que migramos a un país para mejorar nuestra vida, es decir, como una
mano que se extiende y te sujeta dándote ayuda, de aquí viene el “future & hope” y nosotros,
las personas que migramos, seríamos la mano que va a sujetarse. Con esto también lo que
he querido dar a entender, es que hay mucha gente que ve a una persona de afuera como
un “enemigo” o con malos ojos, yo no voy a negar que hay muchísima gente llega con malas
intenciones, con querer que le den todo sin esfuerzo alguno, pero, ese no es nuestro caso.
Gracias.” (Nahomi, 2020) Drawing done by Nahomi to participate directly in our project
We know what a counter-narratives is about, so we wanted Nahomi to participate in it, so
we could give her voice in our work, that it's also her. Cesar couldn’t participate in this part
of the project due to personal reasons. Then, Nahomi knows how to draw and she draws
femists and reidivindicateives drawings, so we asked her if she could give at least one of
her draws, and also a brief explanation of how she feels about the migration, how sees
them grabbing a hand that is taking them to the future, to the new country where they are
migrating, and also what she thinks about the people who “mira con malos ojos”
(Nahomi, 2020). So as we said before, we decided that Nahomi had to participate as a
way to give her a space to express her feelings about this project’s theme.
we could give her voice in our work, that it's also her. Cesar couldn’t participate in this part
of the project due to personal reasons. Then, Nahomi knows how to draw and she draws
femists and reidivindicateives drawings, so we asked her if she could give at least one of
her draws, and also a brief explanation of how she feels about the migration, how sees
them grabbing a hand that is taking them to the future, to the new country where they are
migrating, and also what she thinks about the people who “mira con malos ojos”
(Nahomi, 2020). So as we said before, we decided that Nahomi had to participate as a
way to give her a space to express her feelings about this project’s theme.
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